Posts tagged action
Review: Resident Evil: Extinction (2007)

If you’ve read my reviews of Resident Evil and Resident Evil: Apocalypse, you know that I'm not a huge fan of the series.  In fact, I find them to be pretty terrible.  At best, they’re mediocre shoot-‘em-ups with some decent effects work.  Most of the time, their weak grasp of filmmaking craft and lackluster storytelling techniques make them pretty painful to sit through.  So I was not looking forward to Resident Evil: Extinction, the third installment in the film series based on the popular series of video games about a zombie infestation. 

The plot takes place a few years after the previous installment, and finds Earth in a state that pretty much meets the definition of “post-apocalyptic” to the letter.  The entire country is now a desert wasteland.  It seems the vast majority of human beings have become ravenous zombies, and the remaining survivors have banded together into groups of outlaws and scavengers.  Ass-kicking heroine Alice (Milla Jovovich) has gone into exile, convinced her status as a fugitive from the Umbrella Corporation will put others at risk.  Also, as hinted at in the second film, she’s now a fully-formed Jedi warrior with telekinetic powers.  Don’t ask questions, just go along with it!

Meanwhile, Umbrella scientist Dr. Isaacs (Iain Glen) is holed away in a secret underground lab – without one of which it wouldn’t be a Resident Evil film – attempting to synthesize a cure for the virus using clones of Alice that he created from samples of her blood.  And by “cure,” I mean it will turn them into docile simpletons that Umbrella can use as slave labor.  Oh, those evil corporations, always looking at the bottom line, even when the world’s gone to hell.  How cunning and sinister!  Somehow his efforts lead to the creation of crimson-headed Super Zombies that are even more aggressive than before.  With results like that, I think somebody needs to go back to mad scientist school.

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Review: La Femme Nikita (1990)

Note: This review contains spoilers.

La Femme Nikita received fairly poor reviews upon its release twenty years ago.  Despite the negative reception, it has had tremendous impact in popular culture, spawning a remake and multiple television series.  It helped establish director Luc Besson as one a new and innovative action filmmaker.  Does it hold up?  Overall, yes.  Though it’s brought down by a weak third act, La Femme Nikita is a refreshing take on the now-clichéd “government agency hires thug to be highly-effective super agent for some reason” plotline, combining well-executed action scenes with compelling performances and a fantastic synth score.

The plot follows Nikita (Anne Paurillard), a drug addict who kills a policeman when a pharmacy break-in goes wrong.  She’s sentenced to life in prison, but a secret government organization intervenes and drugs her.  When she comes to, she no longer exists.  Her death has been faked and her life is not her own.  Their goal is to mold her into an elite assassin.  If she resists, she’ll be killed.

Anne Paurillard carries this film on her shoulders and elevates it above a typical action thriller.  Her performance is so varied in its extreme range of Nikita’s personality quirks that at times I couldn’t believe I was watching the same woman.  At the beginning of the film, Nikita is a drugged-up, aggressive, borderline psychotic teenager with nothing but a quick wit and temper to indicate she might, somehow, be able to eventually become a productive member of society.  She’s disheveled, wide-eyed and so mentally unhinged that I was convinced, despite knowing the basic premise of the film, that she was doomed to die having failed to properly adapt to any sort of physical, mental or social training whatsoever.  She was simply too far gone.

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